Formed in 2019, the London based band quickly garnered attention across the shoegaze, psych and post-punk scenes, playing support slots with Helicon, Cult Of Dom Keller, Mayflower Madame, The Third Sound, Dead Rabbits, You Said Strange, Firefriend, Daiistar, and most recently Magic Shoppe. Their line up features Terry Hale (vocals/guitar/keys), James Walker (drums and percussion), Christian Ruffy (guitar/vocals), Andrew Paxton-Gray (bass), and Barry Ang (keyboards). Elements of their influences can be traced back to late 60's psychedelia, the independent post-punk scene, through to the shoegazing era of the early 90's. Expect swathes of layered guitars icy synth textures washed in reverb, juxtaposed with pounding bass lines and abrasive drums to round off the sonic palette.

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Single, Solid Air - released March 31, 2024

Single, Prize - released August 11, 2023 (Mixed and Mastered by Jason Shaw at Fuzzface Studio)

Singles, Howl/DroneJam- released March 4, 2022.

Debut album, 'Infinite'- released September 3, 2021.

EP 'Oracle' - released June 2020.

Debut single 'Disappears' - released November 2019.

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Debut single 'Disappears', 'Oracle' E.P. and album ‘Infinite’ have collectively been featured on L.A.'s KXLU Part-Time Punks radio show (US), DKFM’s Shoegaze Radio New Music Weekend, Drowned In A Sea Of Sound 2021 Spotify playlist and This Radiant Hour radio show (US), Amazing Radio (UK), Ear Drum Buzz Radio (US), When The Sun Hits (US), The Reverb, Artrocker Radio, Radio Wigwam (UK).

They have also been covered by U.S. Second Scene print magazine (issues 6, 10, and 16), Backseat Mafia, White Light/Heat Heat, Songs From Under the Floorboard, Isolation Records, Static Sounds Club, and Tilley’s Music Guidance blog as ones to watch in 2022 (UK).

 

 

 

 

 

 

 

 

 

 

 

 

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​​'Prize' single review

 Backseat Mafia

'‘Prize’ is a cataclysmic onslaught of jangling, scything guitars and fuzzy, ambulant bass that creates an immersive wash, while distant, observant and louche dual vocals stream through the undercurrent. The driving attack has ghostly synth filigrees that add a haunting glow, and there is a thoroughly cathartic element to the sounds: driving, insistent and ominous, yet sweetened by melody and an anthemic force. While it is easy to compare Ghost Patterns to Ride, Slowdive or a less brutal My Bloody Valentine, there is an added pop sensibility that recalls The Cure or The Stone Roses as well as a laced veil of goth. Added to this is a psychedelic, chemically induced burnish – a sixties jingle jangle sound that recalls The Brian Jonestown Massacre. Ultimately, though, Ghost Patterns are their own living creature, breathing a fiery breath of fresh air into the genre.' 

 

'Howl/Drone Jam' single reviews 

Static Sounds Club (UK)

'A very literal title as we dive headlong into vortex of swirling guitars and pounding drums. This instrumental delivers new levels of intensity with each section. It certainly keeps the listener on their toes. By the closing section you are fully under their spell. ‘Drone Jam’ is a psyche wig out that delivers in spades. ‘Howl’ on the other hand is a driven, vocal track with canyon size reverb and a riff ten feet tall. This band really do deal in widescreen aural treats. There is an early Cure, goth feel to the backing and delivery which when blended with their psyche sound makes for something all of their own. '

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‘Infinite’ album reviews

Turn Up The Volume (BE) - Album Of The Month/ Best Albums Of 2021

‘..the amplified haziness of Slowdive, the mystifying nightmares of Spacemen 3, the multi-layer-constructing skills of My Bloody Valentine.’

‘Ghost Patterns design hallucinating soundscapes, sonic shadowplays where synths and guitars duel with each other while tireless drums dauntlessly beat, and wailing voices wander in an enigmatic fog of reverberation.’

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Isolation Records (UK)

‘Though influenced by shoegaze and post-punk, it is psychedelia that dominates this melting pot of sound. There are heavy drones, fuzz and distortion as synths play against

guitars and any melodies have to battle simply to survive.’

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Onyx Music Reviews (AUS)

‘The noise-scape quality is akin to the early years of Ride or The Jesus And Mary Chain, of whom both have used wonderful melodies wrapped in sonic walls of noise.’

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'Disappears' Single reviews

White Light/ White Heat (IT)

'...A heady dark and immersive blend of shoegaze atmospheric introspection, post-punk moodiness and subtle lysergic nuances.’

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Turn Up The Volume (BE)

'Haunting guitars a la Interpol...translated into a mind blowing psychedelic escapade.’

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Track Of The Day 'Disappears' - Little Indie Blogs (UK), Noise Artists (FR/ Worldwide) December 2019 Playlist, Shoegazer Sanctuary Radio playlists.